Artist Mathieu Forget on travelling the world with Globe-Trotter

13 Jan 26

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Artist Mathieu Forget on travelling the world with Globe-Trotter

13 Jan 26

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Mathieu Forget visited seven locations to test the limits of Globe-Trotter luggage

French multidisciplinary artist Mathieu Forget is a man of many talents. A dancer, photographer, performer, and creative director, Forget grew up fascinated by movement, and later discovered his style through film and photography. In landscapes where everything seems still, Forget captures the poetry of motion, creating a unique medium of self-expression and storytelling. This year, Globe-Trotter teamed up with the artist on an exclusive campaign that saw him travel to seven different destinations (UAE, Antarctica, Lake Como, Geneva, Bodrum, Central Anatolia, and LA) to put our luggage to the ultimate test. Here, we caught up with Forget to talk creativity and craftsmanship without limits.

Mathieu Forget visited seven locations to test the limits of Globe-Trotter luggage

French multidisciplinary artist Mathieu Forget is a man of many talents. A dancer, photographer, performer, and creative director, Forget grew up fascinated by movement, and later discovered his style through film and photography. In landscapes where everything seems still, Forget captures the poetry of motion, creating a unique medium of self-expression and storytelling. This year, Globe-Trotter teamed up with the artist on an exclusive campaign that saw him travel to seven different destinations (UAE, Antarctica, Lake Como, Geneva, Bodrum, Central Anatolia, and LA) to put our luggage to the ultimate test. Here, we caught up with Forget to talk creativity and craftsmanship without limits.

Hi Mathieu, we're so happy to have you take part in our interview. It’s been quite the year for you! Tell us a bit about that – and about yourself.

I’m an artist, who expresses himself through dance, photography and filmmaking. My work lives at the intersection of movement, visual art and cinematic storytelling. I’m always exploring new ways to capture motion, whether that’s through dynamic photography, suspended moments in mid-air or immersive visual concepts that blend performance with architecture, fashion or travel. For me, every project is an opportunity to push creative boundaries and shape a world where movement becomes a form of visual poetry. I’m driven by curiosity, precision and the desire to make people feel something through motion, whether I’m in front of the camera or behind it.

Hi Mathieu, we're so happy to have you take part in our interview. It’s been quite the year for you! Tell us a bit about that – and about yourself.

I’m an artist, who expresses himself through dance, photography and filmmaking. My work lives at the intersection of movement, visual art and cinematic storytelling. I’m always exploring new ways to capture motion, whether that’s through dynamic photography, suspended moments in mid-air or immersive visual concepts that blend performance with architecture, fashion or travel. For me, every project is an opportunity to push creative boundaries and shape a world where movement becomes a form of visual poetry. I’m driven by curiosity, precision and the desire to make people feel something through motion, whether I’m in front of the camera or behind it.

Over the years, I’ve collaborated with global brands and cultural institutions, creating images and videos that highlight the elegance of movement in unexpected environments. My last big project was with the Paris Olympics which took about three years to create. After that, I decided to take a year to travel again, find new inspirations around the world and prepare for my 10-year anniversary in 2026.

You’re known around the world for your “levitation art”. How did you first get into it, and what inspired you to explore movement in this way?

I first got into movement through dance and sport, long before I ever picked up a camera. I grew up fascinated by what the human body can express, the precision, the rhythm, the emotion. Later, when I discovered photography and filmmaking, it felt natural to merge the two worlds.What inspired me to explore movement the way I do today was this idea that a single frame could hold the energy of an entire performance. I wanted to freeze moments that are usually very fast or almost invisible to the eye such as jumps, transitions, shapes in the air, and turn them into something almost surreal. Over time, that curiosity became a language of its own.For me, movement isn’t just choreography. It’s a way to tell stories, to shift perspectives and to create visuals that feel alive even when they’re completely still.

You’re known around the world for your “levitation art”. How did you first get into it, and what inspired you to explore movement in this way?

I first got into movement through dance and sport, long before I ever picked up a camera. I grew up fascinated by what the human body can express, the precision, the rhythm, the emotion. Later, when I discovered photography and filmmaking, it felt natural to merge the two worlds.What inspired me to explore movement the way I do today was this idea that a single frame could hold the energy of an entire performance. I wanted to freeze moments that are usually very fast or almost invisible to the eye such as jumps, transitions, shapes in the air, and turn them into something almost surreal. Over time, that curiosity became a language of its own.For me, movement isn’t just choreography. It’s a way to tell stories, to shift perspectives and to create visuals that feel alive even when they’re completely still.

Let’s talk about your collaboration with Globe-Trotter. How did this partnership come about, and what drew you to the brand?

What drew me to the brand is, first of all, the name. Then comes history and heritage. There’s something inspiring about a house that has stood the test of time while staying true to its identity. The chic design, rooted in its English origins, gives each piece a kind of artistic presence – every suitcase feels crafted like a work of art. I’m also drawn to the way the brand blends a classic, simple, slightly vintage style with an aesthetic that fits within today’s fashion and how it’s been able to collaborate with so many different worlds, from James Bond to BAPE. I also love the playful use of colour in some of the collections. It’s elegant, modern and above all, timeless.

Let’s talk about your collaboration with Globe-Trotter. How did this partnership come about, and what drew you to the brand?

What drew me to the brand is, first of all, the name. Then comes history and heritage. There’s something inspiring about a house that has stood the test of time while staying true to its identity. The chic design, rooted in its English origins, gives each piece a kind of artistic presence – every suitcase feels crafted like a work of art. I’m also drawn to the way the brand blends a classic, simple, slightly vintage style with an aesthetic that fits within today’s fashion and how it’s been able to collaborate with so many different worlds, from James Bond to BAPE. I also love the playful use of colour in some of the collections. It’s elegant, modern and above all, timeless.

From Doha’s deserts to Antarctica’s ice fields, each destination in this new campaign tells its own story. How did each environment influence your approach?

Each environment shapes my movement and creative approach in a completely different way.In Doha’s deserts, the vast open landscapes and golden light pushed me toward movements that felt expansive and fluid. There’s something about the silence of the desert that makes every gesture feel almost sculptural.

From Doha’s deserts to Antarctica’s ice fields, each destination in this new campaign tells its own story. How did each environment influence your approach?

Each environment shapes my movement and creative approach in a completely different way.In Doha’s deserts, the vast open landscapes and golden light pushed me toward movements that felt expansive and fluid. There’s something about the silence of the desert that makes every gesture feel almost sculptural.

In Antarctica, it was the opposite. The raw power of the ice, the wind, the cold, it all demanded a more grounded, controlled and deliberate approach. You can’t overpower a place like that, you have to adapt to it. What ties it all together is how each location naturally influenced the rhythm of the shoot. The environments weren’t just backgrounds, they were collaborators. They guided the energy, the posture and, ultimately, the story I wanted to tell with Globe-Trotter’s suitcase as both a travel companion and a creative anchor.

What was the most challenging place you visited during this campaign?

The most challenging place during this campaign was, of course, Antarctica. Creating in a completely new environment is one thing, but doing so in a place that must be carefully preserved adds a whole new level of responsibility. There are strict safety rules on the white continent and even on the ship’s bulb during the shoot, which introduce constraints that are both practical and creative. For example, I was never allowed to leave the luggage on the snow, the floor always had to be covered, and the luggage had to go through a serious sanitation process to not bring any bacteria. I also had to work with heavier clothing than usual, but make it appear light and fluid in the images, which added another layer of creative challenge.

What was the most challenging place you visited during this campaign?

The most challenging place during this campaign was, of course, Antarctica. Creating in a completely new environment is one thing, but doing so in a place that must be carefully preserved adds a whole new level of responsibility. There are strict safety rules on the white continent and even on the ship’s bulb during the shoot, which introduce constraints that are both practical and creative. For example, I was never allowed to leave the luggage on the snow, the floor always had to be covered, and the luggage had to go through a serious sanitation process to not bring any bacteria. I also had to work with heavier clothing than usual, but make it appear light and fluid in the images, which added another layer of creative challenge.

Globe-Trotter is built on craftsmanship and timeless design. How do you see those values connecting with your own art and creative philosophy?

It’s a perfect match. What drew me to the brand is its history and heritage. Each piece has a kind of artistic presence, every suitcase is crafted like a work of art, much like my photos. I try to approach my work with the same care and attention to detail, shaping movement and composition deliberately to create something lasting. Travel is also deeply linked to my life, I’ve lived in three different countries (France, Switzerland, USA) and more than eight cities over the past 10 years. Travel is ingrained in both my personal history and the way I create my images.Finally, the timeless design of Globe-Trotter aligns perfectly with my goal in art: to create works that feel enduring but yet are representative of their time. I aim for images and projects that could still feel relevant decades from now.

Globe-Trotter is built on craftsmanship and timeless design. How do you see those values connecting with your own art and creative philosophy?

It’s a perfect match. What drew me to the brand is its history and heritage. Each piece has a kind of artistic presence, every suitcase is crafted like a work of art, much like my photos. I try to approach my work with the same care and attention to detail, shaping movement and composition deliberately to create something lasting. Travel is also deeply linked to my life, I’ve lived in three different countries (France, Switzerland, USA) and more than eight cities over the past 10 years. Travel is ingrained in both my personal history and the way I create my images.Finally, the timeless design of Globe-Trotter aligns perfectly with my goal in art: to create works that feel enduring but yet are representative of their time. I aim for images and projects that could still feel relevant decades from now.

Generally speaking, what destination do you find yourself returning to again and again?

There are a few places I keep coming back to, each for different reasons. The USA, especially New York, is the big one. It’s where I lived for years, and it still feels like my creative home base. The energy, the movement, the constant reinvention – it’s the city that shaped a huge part of my artistic identity. I also return often to Geneva, where I’m from. It’s the opposite energy of New York, but I need that balance. It’s where I reconnect, recharge and stay grounded. More recently, I’ve been spending a lot of time in the Middle East. It’s a region of the world where I see a lot of potential for the next chapter of my work: new landscapes, new cultural influences and room to develop creatively in environments that push me in different ways.

Generally speaking, what destination do you find yourself returning to again and again?

There are a few places I keep coming back to, each for different reasons. The USA, especially New York, is the big one. It’s where I lived for years, and it still feels like my creative home base. The energy, the movement, the constant reinvention – it’s the city that shaped a huge part of my artistic identity. I also return often to Geneva, where I’m from. It’s the opposite energy of New York, but I need that balance. It’s where I reconnect, recharge and stay grounded. More recently, I’ve been spending a lot of time in the Middle East. It’s a region of the world where I see a lot of potential for the next chapter of my work: new landscapes, new cultural influences and room to develop creatively in environments that push me in different ways.

What place has completely surprised you?

The Salt Lake of Tuz Gölü, Turkiye, was a true discovery. It was a place where I felt as if I had slipped out of space and time, completely unanchored. In stark contrast, I recently visited Apple Park in Cupertino, which felt the opposite in every way: defined by technology, structure and precision. I love these kinds of contrasts.

What place has completely surprised you?

The Salt Lake of Tuz Gölü, Turkiye, was a true discovery. It was a place where I felt as if I had slipped out of space and time, completely unanchored. In stark contrast, I recently visited Apple Park in Cupertino, which felt the opposite in every way: defined by technology, structure and precision. I love these kinds of contrasts.

And we have to ask, what’s the best meal you’ve had abroad?

Definitely a Turkish breakfast I had in Cappadocia in front of the hot air balloons at sunrise.

And we have to ask, what’s the best meal you’ve had abroad?

Definitely a Turkish breakfast I had in Cappadocia in front of the hot air balloons at sunrise.

You’ve now travelled the world with Globe-Trotter luggage. What makes these the perfect travel companion for you?

What I like most about the cases is their lightness and design. They’re the perfect travel companion for me because the sizes are ideal for my trips. They’re sturdy but still easy to handle and light. That combination of durability, practicality and elegance is exactly what anyone looks for in luggage. And whenever I go, people stop me to ask where it’s from – especially the Centenary 4-Wheel Carry-On in Orange & Brown!

You’ve now travelled the world with Globe-Trotter luggage. What makes these the perfect travel companion for you?

What I like most about the cases is their lightness and design. They’re the perfect travel companion for me because the sizes are ideal for my trips. They’re sturdy but still easy to handle and light. That combination of durability, practicality and elegance is exactly what anyone looks for in luggage. And whenever I go, people stop me to ask where it’s from – especially the Centenary 4-Wheel Carry-On in Orange & Brown!